Wednesday, June 10, 2009

DOUBT at People's Light

Last night I saw DOUBT at People's Light and Theatre in Malvern, PA., with a group of friends. Having experienced the riveting production on Broadway with Cherry Jones, I wondered if this local production would measure up. Let me tell you, I was on the edge of my chair for the entire 80 minutes. The acting by the ensemble of four was terrific, and there were things I caught that I hadn't remembered from the first time: for one, that Sister Aloysius, the principal of St. Nicholas' School, had been married before; her husband had died in WWII on the Italian Front, fighting Adolf Hitler.

            The parallel is obvious: Sister Aloysius fights what she suspects is evil in her school. She is not "popular" with the student body; she believes in toughness and discipline and prizes truth above love and harmony. She goes forward solely on the strength of her experience and convictions. I couldn't help but wonder -- if more people had the courage to speak up when they suspected evil of a popular character (be it Father Flynn, Adolf Hitler, Bernie Madoff or Stalin,) if more of us were less concerned with offending others and being popular -- I wonder if more of the world's evil could be nipped in the bud, or diverted. 

            From a craft standpoint, the marvel of this play is how it moves inexorably from beginning to end, and carries you with it. The pacing is masterful, with tension starting high and ratcheting higher in each scene, occasionally lightened by a little humor (courtesy of great delivery by the actors.) The playwright, John Patrick Shanley, saves the bombshells of revelation for the end of each scene. It isn't so different from what Rachmaninoff said -- that each piece must have one high point you're building to, and everything you do must point to it.